Along the shore the cloud waves break,
The twin suns sink behind the lake,
The shadows lengthen
In Carcosa.

Strange is the night where black stars rise,
And strange moons circle through the skies,
But stranger still is
Lost Carcosa.

Songs that the Hyades shall sing,
Where flap the tatters of the King,
Must die unheard in
Dim Carcosa.

Song of my soul, my voice is dead,
Die thou, unsung, as tears unshed
Shall dry and die in
Lost Carcosa.

The King in Yellow (1895) — Cassilda’s Song in The King in Yellow: Act I: Scene 2

This is the thing that troubles me, for I cannot forget Carcosa where black stars hang in the heavens; where the shadows of men’s thoughts lengthen in the afternoon, when the twin suns sink into the lake of Hali; and my mind will bear for ever the memory of the Pallid Mask.

The King in Yellow (1895) — The Repairer of Reputations: Chapter 1

It is well known how the book spread like an infectious disease, from city to city, from continent to continent, barred out here, confiscated there, denounced by Press and pulpit, censured even by the most advanced of literary anarchists. No definite principles had been violated in those wicked pages, no doctrine promulgated, no convictions outraged. It could not be judged by any known standard, yet, although it was acknowledged that the supreme note of art had been struck in The King in Yellow, all felt that human nature could not bear the strain, nor thrive on words in which the essence of purest poison lurked. The very banality and innocence of the first act only allowed the blow to fall afterward with more awful effect.

The King in Yellow (1895) — The Repairer of Reputations: Chapter 1

Camilla: You, sir, should unmask.
Stranger: Indeed?
Cassilda: Indeed it’s time. We have all laid aside disguise but you.
Stranger: I wear no mask.
Camilla: (Terrified, aside to Cassilda.) No mask? No mask!

The King in Yellow (1895) — The Mask: The King in Yellow: Act I: Scene 2d

Feverishly I struggled to put it from me, but I saw the lake of Hali, thin and blank, without a ripple or wind to stir it, and I saw the towers of Carcosa behind the moon. Aldebaran, the Hyades, Alar, Hastur, glided through the cloud-rifts which fluttered and flapped as they passed like the scolloped tatters of the King in Yellow.

The King in Yellow (1895) — The Mask: Chapter 3

There are so many things which are impossible to explain! Why should certain chords in music make me think of the brown and golden tints of autumn foliage? Why should the Mass of Sainte Cécile bend my thoughts wandering among caverns whose walls blaze with ragged masses of virgin silver?

The King in Yellow (1895) — The Yellow Sign: Chapter 1

“Shall I tell you all about her, cat? She is very beautiful—your mistress,” he murmured drowsily, “and her hair is heavy as burnished gold. I could paint her,—not on canvas—for I should need shades and tones and hues and dyes more splendid than the iris of a splendid rainbow. I could only paint her with closed eyes, for in dreams alone can such colours as I need be found. For her eyes, I must have azure from skies untroubled by a cloud—the skies of dreamland. For her lips, roses from the palaces of slumberland, and for her brow, snow-drifts from mountains which tower in fantastic pinnacles to the moons;—oh, much higher than our moon here,—the crystal moons of dreamland. She is—very—beautiful, your mistress.”

The King in Yellow (1895) — The Street of Four Winds: Chapter 1

That blue radiance which a starless sky sheds lighted her white shoulders; transparent shadow veiled the contour of neck and cheeks.

The Maker of Moons and Other Stories (1896) — The Case of Mr. Helmer

“But we are already there,” I stammered, turning my eyes fearfully; for the tall pines dwindled and clustered and rose again cool and gray in the morning air, all turned to stone, fretted and carved like lacework; and where the pines had faded, the twin towers of a cathedral loomed; and where the hills swept across the horizon, the roofs of a white city glimmered in the morning sun. Bridges and quays and streets and domes and the hum of traffic and rattle of arms; and over all, the veil of haze and the twin gray towers of Notre Dame!

The Mystery of Choice (1897) — The White Shadow: 3

“We ought to be so happy that I am beautiful!” she would say to me. “Just think, supposing I were not!”

The Mystery of Choice (1897) — The White Shadow: 8

We tried to smile, but our hearts were like lead.

The Mystery of Choice (1897) — The White Shadow: 11

Now the days began to run more swiftly than the tide along the tawny beach; and the nights, star-dusted and blue, came and vanished and returned, only to exhale at dawn like perfume from a violet.

The Mystery of Choice (1897) — The Key to Grief: 5

The sea was a sheet of silver, tinged with pink. The tremendous arch of the sky was all shimmering and glimmering with the promise of the sun. Already the mist above, flecked with clustered clouds, flushed with rose colour and dull gold. I heard the low splash of the waves breaking and curling across the beach. A wandering breeze, fresh and fragrant, blew the curtains of my window. There was the scent of sweet bay in the room, and everywhere the subtile, nameless perfume of the sea.

The Mystery of Choice (1897) — A Mater of Interest: 3

Breezes blowing from beds of iris quickened her breath with their perfume; she saw the tufted lilacs sway in the wind, and the streamers of mauve-tinted wistaria swinging, all a-glisten with golden bees; she saw a crimson cardinal winging through the foliage, and amorous tanagers flashing like scarlet flames athwart the pines.

The Younger Set (1907) — Chapter V: Afterglow

Toward dawn a fever of unrest drove her from her hot, crushed pillows to the cool of the open casements. The morning was dark and very still; no breeze stirred; a few big, widely scattered stars watched her. For a long while she stood there trying to quiet the rapid pulse and fast breathing; and at length, with an excited little laugh, she sank down among the cushions on the window-seat and lay back very still, her head, with its glossy, disordered hair, cradled in her arms.

The Danger Mark (1909) — Chapter 8: An Afterglow

It was almost mid-April; and still the silvery-green tassels on the wistaria showed no hint of the blue petals folded within; but the maples’ leafless symmetry was already veined with fire. Faint perfume from Long Island woodlands, wandering puffs of wind from salt meadows freshened the city streets; St. Felix Street boasted a lilac bush in leaf; Oxford Street was gay with hyacinths and a winter-battered butterfly; and in Fort Greene Place the grassy door-yards were exquisite with crocus bloom. Peace, good-will, and spring on earth; but in men’s souls a silence as of winter.

To Northland folk the unclosing buds of April brought no awakening; lethargy fettered all, arresting vigour, sapping desire. An immense inertia chained progress in its tracks, while overhead the gray storm-wrack fled away,—misty, monstrous, gale-driven before the coming hurricane.

Ailsa Paige (1910) — Chapter 4

[…] nor did they comprehend the ceaseless tremors of a land slowly crumbling under the subtle pressure—nor that at last the vast disintegration of the matrix would disclose the forming crystal of another nation cradled there, glittering, naming under the splendour of the Southern skies.

Ailsa Paige (1910) — Chapter 4

There was no hope for him. To let himself drift; to evoke in her, sometimes by hazard, at times with intent, the delicate response—faint echo—pale shadow of the virile emotions she evoked in him, that, too, was useless. He knew it, yet curious to try, intent on developing communication through those exquisite and impalpable lines that threaded the mystery from him to her—from her to him.

Ailsa Paige (1910) — Chapter 5

For ten minutes, holding her by the arm, he pushed forward up the wooded slope. Then, when it was safe to do so, he halted, jerked her around to face him, and flashed his pocket torch. And he saw a handsome, perspiring, sullen girl, staring at him out of dark eyes dilated by terror or by fury—he was not quite sure which.

She wore the costume of a peasant of the canton bordering the wire; and she looked like that type of German-Swiss—handsome, sensual, bad-tempered, but not stupid.

In Secret (1919) — Chapter 6: Mount Terrible

When the news of a Hun atrocity committed on Swiss territory was flashed to Berne, the Federal Assembly instantly suppressed it and went into secret session. Followed another session, in camera, of the Federal Council, whose seven members sat all night long envisaging war with haggard faces. And something worse than war when they remembered the Forbidden Forest and the phantom Canton of Les Errues.

In Secret (1919) — Chapter 7: The Forbidden Forest

His cats had come out into the garden for “the cats’ hour”—that mysterious compromise between day and evening when all things feline awake and stretch and wander or sit motionless, alert, listening to occult things.

In Secret (1919) — Chapter 12: The Great Secret