The fine warm rain of seven o’clock, which had since risen in a kind of luminous mist about the tree tops, now floated far overhead in a deep blue sky, and the day was settling down into a blaze of golden light. It was one of those days peculiar to Somerset and North Devon, when the orchards shine and the meadows seem to add a radiance of their own, so brilliantly soft are the colourings of grass and foliage.

The Empty House and Other Ghost Stories (1906) — Part 6: The Wood of the Dead

For a change, I thought, had somehow come about in the arrangement of the landscape. It was not that my point of vantage gave me a different view, but that an alteration had apparently been effected in the relation of the tent to the willows, and of the willows to the tent. Surely the bushes now crowded much closer—unnecessarily, unpleasantly close. They had moved nearer.

Creeping with silent feet over the shifting sands, drawing imperceptibly nearer by soft, unhurried movements, the willows had come closer during the night. But had the wind moved them, or had they moved of themselves? I recalled the sound of infinite small patterings and the pressure upon the tent and upon my own heart that caused me to wake in terror. I swayed for a moment in the wind like a tree, finding it hard to keep my upright position on the sandy hillock. There was a suggestion here of personal agency, of deliberate intention, of aggressive hostility, and it terrified me into a sort of rigidity.

The Willows (1907) — Chapter 2

With this general hush of the wind—though it still indulged in occasional brief gusts—the river seemed to me to grow blacker, the willows to stand more densely together. The latter, too, kept up a sort of independent movement of their own, rustling among themselves when no wind stirred, and shaking oddly from the roots upwards. When common objects in this way be come charged with the suggestion of horror, they stimulate the imagination far more than things of unusual appearance; and these bushes, crowding huddled about us, assumed for me in the darkness a bizarre grotesquerie of appearance that lent to them somehow the aspect of purposeful and living creatures. Their very ordinariness, I felt, masked what was malignant and hostile to us. The forces of the region drew nearer with the coming of night. They were focusing upon our island, and more particularly upon ourselves. For thus, somehow, in the terms of the imagination, did my really indescribable sensations in this extraordinary place present themselves.

The Willows (1907) — Chapter 3

At the moment we touched the body there rose from its surface the loud sound of humming—the sound of several hummings—which passed with a vast commotion as of winged things in the air about us and disappeared upwards into the sky, growing fainter and fainter till they finally ceased in the distance.

The Willows (1907) — Chapter 4

And soon they left the trees behind and passed on to the enormous slopes of the sea of snow that rolled in mountainous terror and beauty to the stars. The wonder of the white world caught him away. Under the steady moonlight it was more than haunting. It was a living, white, bewildering power that deliciously confused the senses and laid a spell of wild perplexity upon the heart. It was a personality that cloaked, and yet revealed, itself through all this sheeted whiteness of snow. It rose, went with him, fled before, and followed after. Slowly it dropped lithe, gleaming arms about his neck, gathering him in…

The Glamour of the Snow (1907) — Chapter 6

The night was perfectly still. Winter, black and hard, lay about the house like an iron wall. No wind stirred. Snow covered the world of mountain and moor outside, and Silence, supreme at midnight, poured all her softest forces upon the ancient building and its occupants.

The Human Chord (1910) — Chapter 8, 1.

And so, at last, the darkness came, a starry darkness of soft blue shadows and phosphorescent sea out of which the hills of the Cyclades rose faint as pictures of floating smoke a wind might waft away like flowers to the sky.

The plains of Marathon lay far astern, blushing faintly with their scarlet tamarisk blossoms. The strange purple glow of sunset upon Hymettus had long since faded. A hush grew over the sea, now a marvelous cobalt blue. The earth, gently sleeping, manifested dreamily. Into the subconscious state passed one half of her huge, gentle life.

The Centaur (1911) — Chapter 20

The morning sunshine poured into the library through ten long narrow windows; birds were singing; the autumn air, rich with a faint aroma of November melancholy that stung the imagination pleasantly, filled my antechamber. I looked out upon the undulating wooded landscape, hemmed in by the sweep of distant Downs, and I tasted a whiff of the sea.

The Damned (1914) — Chapter 4

The country house, so ancient that it seemed part of the landscape, settled down secretively into the wintry darkness and watched the night with eyes of yellow flame. The thick December gloom hid it securely from attack. Nothing could find it out. Though crumbling in places, the mass of it was solid as a fortress, for the old oak beams had resisted Time so long that the tired years had resigned themselves to siege instead of assault, and the protective hills and woods rendered it impregnable against the centuries. The beleaguered inhabitants felt safe. It was a delightful, cosy feeling, yet excitement and surprise were in it too. Anything might happen, and at any moment.

The Extra Day (1915) — Chapter 2: Fancy-Seed of Wonder

The day broke. It broke literally. The sky gave way and burst asunder, scattering floods of radiant sunshine.

The Extra Day (1915) — Chapter 17: A Day Has Come, 1. The Extra Day Behind Time